Brian Flemming is a film director and playwright. Flemming was born and raised in the San Fernando Valley and studied English at the University of California, Irvine.
Early film career
Worked as a script reader for New Line Cinema while making his first feature film, Hang Your Dog in the Wind in 1997. To promote his film, Flemming co-founded a film festival in Park City, Utah called the Slamdance Film Festival, an eventual rival to the Sundance Film Festival. This film festival may have inspired a resurgence in independent film festivals.
Slamdance brought Flemming to the attention of independent film maker John Pierson , who previously discovered Spike Lee, Michael Moore, and Richard Linklater, among others. Pierson later hired Flemming to work as a director and segment producer for Pierson's Independent Film Channel magazine-style show called "Split Screen ," which also featured a segment about "Hang Your Dog in the Wind."
In 1999 Flemming created a radio documentary, "The Rabbi vs. Larry Flynt," about a debate on pornography between a rabbi and Larry Flynt.
Musicals
is based on a story about a half-bat half-boy set in the tabloid Weekly World News. Flemming co-wrote Bat Boy with Keythe Farley and Laurence O'Keefe . The musical grew from small beginnings in a Los Angeles theater called the Actors' Gang to winning L.A. Weekly's Musical of the Year Award for 1997, plus four Ovation Award nominations and six Drama-Logue Awards.
Bat Boy: The Musical made its way to Off-Broadway in March 2001, where the play won the Lucille Lortel Award for Best Musical, the Outer Critics Circle Award for Best Musical Off-Broadway and six Drama Desk nominations. The New Yorker described Bat Boy as, a "giggling cult hit". The New York Times, wrote, "It is astonishing what intelligent wit can accomplish". The musical ran in New York through December 2001 and has since been staged thousands of times throughout the world, in several languages.
Recent work
Flemming's second feature film, a faux documentary about the assassination of Bill Gates called Nothing So Strange which debuted at the 2002 Sundance Film Festival. Variety called it, "a crackling good movie... [that] may be the ideal prototype film for the digital age". The film garnered more accolades including the Claiborne Pell New York Times Award for Original Vision at the 2002 Newport Film Festival and significant international media exposure. Bill Gates said through a spokesman that he was "very disappointed that a movie maker would do something like this".
After failing to obtain a major studio distributor, Flemming and his co-producers chose to distribute the film themselves. "Nothing So Strange" made history on October 23, 2003, when the film had a simultaneous debut in theaters and as an internet download, becoming the first film ever to be commercially available in all countries at the same time. Hundreds of servers in nations around the globe were marshalled for the internet debut. The producers then followed up in April 2004 with the release of the film on DVD, which is now available in more than 200 countries.
Activism
In addition to working in film and theater, Flemming is an activist on copyright issues. He has released "Nothing So Strange" as an "open source" project, which means all of the raw footage that makes up the film is released without copyright restrictions for anyone to use. The final cut of the film however remains protected by copyright.
Flemming founded the organization Free Cinema , which encourages feature filmmakers to create films under two rules: 1) No money may be spent on the production, and 2) The film must be released under a copyleft license. Flemming claims that filmmaking can now be "as inexpensive as writing novels" and that the copylefting practice is a way for new artists to gain notice and distribution in a marketplace dominated by large corporations. Free Cinema was inspired by the Open Source Software movement, which is guided by similiar principles of freedom. Flemming is also the owner and operator of Fair Use Press , which distributes e-books critical of public figures such as Bill O'Reilly and Arnold Schwarzenegger for their stance on intellectual property law.
Additional info
Between his major projects, Flemming has worked as a photographer (London Mail on Sunday, Los Angeles Times, L.A. Weekly), journalist (Filmmaker and Movieline magazines), awards-show writer (1998 and 1999 Independent Spirit Awards), and songwriter.
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