Evelyn de Morgan (1855-1919) was an English Pre-Raphaelite painter. She was born Evelyn Pickering on 30 August 1855. Her parents were of upper middle class. Her father was Percival Pickering QC, the Recorder of Pontefract. Her mother was Anna Maria Wilhelmina Spencer-Stanhop,the sister of the artist John Rodham Spencer-Stanhope and a descendant of Coke of Norfolk who was an Earl of Leicester.
Evelyn was homeschooled and started drawing lessons when she was 15. On the morning of her seventeenth birthday, Evelyn recorded in her diary " Art is eternal, but life is short..." "I will make up for it now, I have not a moment to lose.". She went on to persuade her parent to let her go to art school. At first they discouraged it, but in 1873 she was enrolled at the Slade School of Art. Her uncle, Roddam Spencer Stanhope, was a great influence to her works. Evelyn often visited him in Florence where he lived, this also enabled her to study the great artists of the Renaissance, she was particularly fond of the works of Botticelli. This influenced her to move away from the classical subjects favoured by the Slade to make her own style. In 1887 she married the ceramicist William de Morgan. They lived together in London until he died in 1917. She died two years later on 2 May 1919 in London.
Works
- Tobias and the Angel
- Night & Sleep (1878)
- Goddess of Blossoms & Flowers (1880)
- Hope in a Prison of Despair (1887)
- The Storm Spirits (1900)
- Queen Eleanor & Fair Rosamund (1905)
- Port after Stormy Seas (1907)
- The worship of Mammon
- Helen of Troy (1898)Helen of Troy.jpg
- The Love Potion (1903)
- Medea Medea1.jpg
- Earthbound
- Ariadne in Naxos
- The Hour-Glass
- The Prisoner (1907)
- The Gilded Cage (1919)
- Death of the Dragon (1914)
- The Red Cross (1916)
- Love's Passing (1883-1884)
- Deianera
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