Rape of the Lock - Your Art History Reference Guide!

ArtHistoryClub Information Site on Rape of the Lock Art History Art History Search        Art History Browse        Classroom welcome to our free resource site for all art history lovers!
Art History Search        Art History Browse             News        Gallery        Forums        Articles        Weblinks        welcome to our free resource site for all art history lovers!

Rape of the Lock

The Rape of the Lock is a mock-heroic poem written by Alexander Pope, first published in 1712 in two cantos, and then reissued in 1714 in a much-expanded 5-canto version. The poem is based on an incident involving friends of Pope's. Arabella Fermor and her suitor, Lord Petre were both from aristocratic Catholic families at a time, in England, when Catholicism was legally proscribed. Petre, wooing Arabella, had cut off a lock of her hair without permission, and the resulting argument had created a breach between the two families. Pope wrote the poem at the request of a friend in order to "laugh the two together". Pope refigures Arabella as Belinda and introduces an entire system of "sylphs", or guardian spirits of virgins, a parodic version of the gods and goddess of conventional epic. Pope satirizes a petty squabble by comparing it to the epic world of the gods. Pope is criticizing the over-reaction of contemporary society to trivial things.

what dire offences rise from trivial things
— Canto I

The humour of the poem comes from the juxtaposition of this tempest in a teapot of vanity with the elaborate, formal verbal structure of an epic poem. When the Baron, for example, goes to snip the lock of hair, Pope says,

The Peer now spreads the glittering Forfex wide,
T' inclose the Lock; now joins it, to divide.
Ev'n then, before the fatal Engine clos'd,
A wretched Sylph too fondly interpos'd;
Fate urged the Sheers, and cut the Sylph in twain,
(But Airy Substance soon unites again)
The meeting Points the sacred Hair dissever
From the fair Head, for ever and for ever!
— Canto III

Pope used epic battle imagery to describe a small pair of ladies' scissors, hence satirizing the ridiculous nature of the whole situation. The useless and transient nature of the sylphs is seen here. One, cut in half by the "fatal engine" is unharmed.

The poem was very well received and helped cement Pope's reputation as the foremost poet of his age.

Three moons of Uranus are named for characters in The Rape of the Lock: Belinda, Ariel, and Umbriel.

External links

Last updated: 08-07-2005 07:19:57
Last updated: 06-05-2009 13:38:31
The contents of this article are licensed from Wikipedia.org under the
GNU Free Documentation License. See original document.

See more unique gifts by PositiveDesigns
Art History Search | Art History Browse | Contact | Legal info