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Suburban Rock 'N' Roll

Suburban Rock 'N' Roll
LP by Space
Released March 8, 2004
Recorded 2002
Genre Indie
Length Unknown
Record label RandM
Producer Stephen Lironi
Space Chronology
Greatest Hits (And Unheard Bits)
(2003)
Suburban Rock 'N' Roll
(2004)


Suburban Rock 'N' Roll is the comeback album by Space, and their first proper LP in six years. It was originally recorded in 2002 and due for release 2003, but was disbanded until it was finally released in 2004. The album was produced by Stephen Lironi, who also produced their debut album and also writes most of the songs with Tommy Scott .

Tracklisting:

  1. Suburban Rock 'N' Roll (Scott/Space/Lironi)
  2. Zombies (Scott/Space/Lironi)
  3. Hitch Hiking (Scott/Space)
  4. Punk Rock Funeral (Scott/Space)
  5. Hell's Barbecue (Scott/Space)
  6. Paranoid 6teen (Scott/Space)
  7. The English Language Let Me Down (Scott/Space/Lironi)
  8. Pretty Suicide (Scott/Space)
  9. 20 Million Miles from Earth (Scott/Space/Lironi)
  10. Quiet Beach (Scott/Space)
  11. The Goodbye Song (Scott/Space)

"Suburban Rock 'N' Roll" review by Amazon.co.uk

Suburban Rock 'N' Roll is the comeback album from Space. Having started out so spectacularly well with Spiders and Tin Planet, Space have since spent a painfully fallow period in the contractual doldrums. Now with a new record company, songwriter and head honcho Tommy Scott lets it all flood out with a collection that's high on humour and musical invention. Scott likes to fascinate and confound by mixing and matching genres and, as with his Liverpudlian forebear John Lennon, his interests stretch right back to the British music hall tradition. Thanks to his keen grasp of melody, this makes Suburban Rock 'N' Roll an intriguing listen. The opening title track, with its fat bass and Spanish strings backed by whistles, scratches, comedy voices and soaring sci-fi keyboards, has you thinking of Stan Ridgeway spoofing Chris Isaak. Then there's the catchy rush of "Zombies", the warped rock of "Hitch-Hiking", the distorted blues of "Pretty Suicide" and the cheesy 70s pop of "The English Language". Perhaps best of all are the sweet and wistful "Quiet Beach" and the menacing "Hell's Barbecue", where Scott whispers a taut tale of urban conservative paranoia. Space have lost none of their famed idiosyncrasies, and their odd take on a strange world is as perceptive and entertaining as ever.

Last updated: 01-04-2007 01:18:57
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